RADICAL AS FOLK: THE EMERYVILLE MUDFLAT SCULPTURE GARDEN delete Each of the nineteen letters

Each of the nineteen letters is illustrated by a portrait of the young father carrying out an appallingly banal exploit that is supposed to excuse his absence

Multi Multi (Photoworks Annual # 31) gathers contemporary artists working with replication

visibility is often misunderstood as participation but in reality constitutes an exploitative condition

outline and the interplay of two-dimensional and three-dimensional space

Hear from artists Kadir van Lohuizen

RADICAL AS FOLK: THE EMERYVILLE MUDFLAT SCULPTURE GARDEN delete Each of the nineteen letters98pp, 8 x 10 in., Perfect Binding, Limited edition 12x18 Risograph poster (folded), Third printing of 200, Text by Joey Enos, Photographs by Robert Sommer, Courtesy CCA C Archive, 2024. In the wake of the 1960s, while the Bay Area shook with political and social change, a radical sculpture garden bloomed on the side of Interstate 80, pushing the boundaries of public art. An anonymous, drive through environment on the edge of the San Francisco Bay, the