The House That Burns Everyday Has stock in Germany and we go to Mexico

and we go to Mexico get an insight not how ceramic brand Apapacho is crafted and constructed while editorial director has started a new series entitled OBJEKT

the photograph From the Series Amor Entre Cucas (2019)

and spent almost five years working on the pictures for Tora No Maki

But here the influence is less about the cultural or tactical aspects of a fictional "post-apocalypse world"

but in utilising the space and interior to develop its own unique identity and style

The House That Burns Everyday Has stock in Germany and we go to MexicoMarina Gadonneixs work weaves a complex link between documentary and fiction through photographs of places given over to temporary neglect. The House That Burns Everyday recalls a fable whose story, in ashes, would no longer reach us. Marina Gadonneix has chosen to haunt a dummy house used by firemen to become familiar with fire and fighting it. In short, a room of fiction. Fire has raged, soon it will flare up again. In this interstice, Gadonneix