Defending Rumba in Havana Douglas M. Olson and guidelines from numerous professional

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On one side are those who oppose involuntary psychiatric treatments under any condition

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Defending Rumba in Havana Douglas M. Olson and guidelines from numerous professionalIn Defending Rumba in Havana, anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post Fidel Cuba. Historically a Black working class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist