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PETER B MORRISON | 'Thag' (Mangrove, New Life) Drawing | Pen and ink on archival paper Alex Dawia We can still see the

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Description

We can still see the fish traps that the old people built along the coasts of Bentinck Island

It is my strong connection to the traditional culture that inspires my paintings

BETTY WILLIAMS (NEE YARRAK) | ‘Mathali’ | 2019 |  Acrylic on Belgian linen | 40 X 50 cm

seeking respite from the midday heat

Brian Robinson KickArts Fundraising linocut print 'Not Quite Vitruvian'

PETER B MORRISON | 'Thag' (Mangrove, New Life) Drawing | Pen and ink on archival paper Alex Dawia We can still see thePeter Bertie Morrison was born on Thursday Island and grew up in Cairns. After he finished school, like many Torres Strait Islanders at the time, he moved to Western Australia to work for many years, before he returned to his familys place Wug Village, Saint Pauls Community on Moa Island in the Western Island Cluster. This is where I learnt our traditional customs, on the island. My mother is from Darnley Island and her tribal group is Zagareb, which

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