What Am I, A Deer? - Polly Barton The photographs echo mid-century domesticity—gestures

The photographs echo mid-century domesticity—gestures borrowed from the 1950s and ’60s—but subverted through the awareness and often overwrought angst of the 1990s

she began making the black and white and color portraits in Tender to create pictures in her own image

416pp198 x 129 mm

They document the continent’s zeitgeist at a decisive period in the development of European unity

we see how clothing can be a means of creative

What Am I, A Deer? - Polly Barton The photographs echo mid-century domesticity—gesturesWhat does it mean to lose yourself and is that something you should be aiming for? A young woman with little interest in games takes up a job in Frankfurt at a famous gaming company, naively set on reinvention. On her morning commute, in the familiar clutches of tedium and self loathing, she encounters a nice eyed stranger who returns her forgotten umbrella and finds herself catapulted into a dizzying, year long whirlwind of obsession not just with