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Victor Majzner 'Wet Noon' nature that chart our transition from

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that chart our transition from naive to knowing

shys away from this acclaim

Auguste Blackman’s ‘Soldier’ strikes two difficult truths

'Fisherman' 1987

three oranges

Victor Majzner 'Wet Noon' nature that chart our transition fromFlowers are with us in the best and worst of times. They commemorate a milestone, console a loss, betray the changing of seasons and wilt, a harbinger of disease. In his series of flowers, acclaimed Jewish Australian artist Victor Majzner considers this brevity of symbolism. He reflects that Flowers play a significant part in every human rite of passage. In Wet Noon, a European flower opens above a rain slicked Australian landscape; a disembodied hand

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